Due to his very method of music making, New York based experimentalist Son Lux essentially has to create something new and dynamically different on each outing. It's a rather weird corner to back yourself into, to create music in such a way that each release has to at least try to drastically reinvent the wheel while more or less keeping a coherent trademark sound and in a way that's not too much different from the standard expectations of a new album. But Lott's methods, usually involving chopping musical ideas to bit and reconstructing them bit by bit, seems to carry more of a threat of drying up the creative well. Luckily for us, Lanterns, the third full length from Son Lux, proves he's still going strong.
A lot of what differentiates Lanterns from Son Lux's previous releases isn't encapsulated in the singles. In "Lost it to Trying" and "Easy", despite it's incorporation of different collaborators Lily & Madeleine, DM Stith, Rafiq Bhatia, recall We Are Rising cuts and that essentially helps for a smooth transition into Lanterns. While not forgoing a lot of the dancier moments contained in tracks like "No Crime" and "Plan to Escape", We Are Rising encapsulated a sort of epic grandeur and pervasive darkness. Lanterns shines a light where there was only hints of it previously, even shifting moods in the course of a single track. While remaining sort of in the same wheelhouse lyrical, Son Lux reaches for brighter textures and even achieves a rather upbeat air on a number of the album's tracks.
With two albums preceding it, there really was no question of whether or not Son Lux could create a cohesive album as they've all previously have been and Lanterns falls right into line there. Instead, what listeners can truly enjoy is that Lanterns keeps the strong musical ideas and even stronger presentation of them a flowing. Lanterns is a treat from start to finish; a work of considerable talent and finesse that demonstrates there's no real danger as far as Lott's well of creativity is concerned.
Lanterns is out now on Joyful Noise, listen to it here:
No comments:
Post a Comment