Pitstop: Elisa

My discovery of Brooklyn based singer/songwriter/producer Elisa happened oddly enough through a series of pictures. Over the past couple months photographer Landon Speers aka Headaches has been sharing a number of pictures he took of her and as he continued to share them piecemeal, my curiosity grew more and more as a narrative eventually formed: Elisa Coia went from a nameless model to a mononym, and then the fact that she was a recording artist became clear after Speers posted a picture of her with Becca Kauffman of Ava Luna/Jennifer Vanilla and Ziemba. And yet oddly enough, it took my most recent obsession with the new Photay album to lead me to Elisa's music instead of following the breadcrumb trail of Speers' pictures. Listening to the Photay album led me to research the Astro Nautico label it was released on which is co-founded/co-run with electronic artist/producer Sam O.B. (fka Obey City) and Elisa features heavily on "Samurai", a single from his debut full length Positive Noise.



Releasing music under her actual name before rebranding much like Sam O.B.'s Sam Obey, she recently released an EP under the moniker Elisa. If I wasn't enamored enough by her vocals on "Samurai" (spoiler alert: I was), hearing "You Can Wear The Mink" which popped up next in the cue, cemented it. The track, as well as the whole Morning Again EP, shows off Coia's versatility. The track begins minimal with Coia framed as an old school chanteuse before the track fills and Coia's vocals become more modern. Coia's vocals are distinct and yet its style is not particularly easy to pin down: pop, soul, something wholly other. She shuffles through styles and the genres are fairly elastic. Lyrically, the tales Coia tells are fairly universal: love lost, heartbreak, trying hard to make something work. And yet Coia's songwriting and her vocals are refreshing. Or you end up with a track like the EP's title track "Morning Again" where Coia takes on the state of America and the constant bombardment with bad news. It's sardonic and yet sincere, an excellent example of when pop meets politics as the message is poignant but not too heavy to the point that it disables the song's enjoyable qualities and Coia's set it to a groovy beat makes it more easily digestible. It's heavy for sure: as she references specific news events and vague ones that apply far too frequently but the production is sleek enough that you can feel the emotion: the anger, the sadness but not be overwhelmed by the politics.



Take the dark textured pop of "You Can't Work For Love" with its visceral imagery and its explosive choruses and her counterpoint to  a typical pop song staple: love is hard work. On "You Can't Work For Love", Coia essentially argues the opposite. "You love like a Catholic, if it's bad must be worth it" she sings and it's hard to resist the urge to cheer. The struggle is often romanticized and Coia isn't having any of it. There's an ease that should come in a good, healthy relationship and she wants that. And yet, it's not delivered like a stinging rebuke but an affectionate unpacking of an insurmountable flaw. That's a consistent theme of Coia's Morning Again EP. The songs come from a place of love even when they're indulging in the darker, unseemly aspects of relationships.  



Elisa's Morning Again EP is out now. She's about to embark on her Back-To-School tour with Miles Francis.