Though I was originally introduced to them mostly by pure happenstance, Bobby, the musical collective birthed at Bennington College in Vermont, has embedded itself into a significant portion of my musical DNA. Though they only released one album, their self-titled record on Partisan, so many of its members have grown on to create absolutely incredible projects: from Amelia Randall Meath (Mountain Man, Sylvan Esso, The As) and Molly Sarle, to Maia Freidman (Uni Ika Ai, Dirty Projectors) to Martin Zimmerman (Toebow). So color me surprised when after nearly a decade hiatus Bobby rose once more. Kind of. While Bobby's mythology was always that of the seven members articulating their music in the spirit of this sort of otherworldly figure, the new project is a spiritual successor to Bobby - titled BobbyFogg and continued by Bobby founding member Tom Greenberg.
As any of the members of Toebow can surely attest to, "Potluck" by Bobby was one of my favorite unreleased tunes - one that was available as a part of The Wild Honey Pie's Honey I'm Home Sessions. I've lost count of not only the number of times I have played it when it came out in 2012 but since then. Imagine my delight when I discovered that the first actual release of BobbyFogg was "Potluck". A mixed version by the engineer of Bobby's self-titled D James Goodwin, "Potluck" acts as bridge between the two stages of the project. "Potluck", featuring former members Friedman, Zimmerman, and Paolo Menuez, is an absolutely scintillating melange of acoustic guitar, synths, and percussion. One of the band's strengths has always lied in its ability to weave acoustic and electronic textures together and "Potluck" is a further testament to that.
Though largely serving as Greenberg's own project at this point, "Half Tulip" credits Bobby alum Julian Labatt as a co-writer for the bass part - so the spirit of collaboration is still very well alive despite a pivot to BobbyFogg as a solo endeavor. And there's no shortage of layers in Greenberg's composition - retaining that same blend of organic and digitized sounds, while building his layers with impeccable precision. Released around the same time as "Potluck", there's no telling when Greenberg wrote and recorded this song but there is a stylistic shift - Greenberg doesn't appear to be trying to recreate the magic of Bobby but there's something there for fans of the band. One of the things that distinguishes BobbyFogg from Bobby is immediately evident - the lyrics. In "Half Tulip", they're at the forefront, often cutting through the din of Greenberg's expansive textures, in "Potluck", they're a part of the tapestry - with Friedman and Menuez's vocals treated as vibrant colors that are sparingly used.
Considering how long it's taken Greenberg to resurrect the project, there's no telling when we'll hear more but here's hoping more is on the horizon from BobbyFogg soon.
