Friday, September 10, 2010
Sufjan Stevens - All Delighted People EP (2010)
Sufjan Stevens' 8 track digital All Delighted People EP is built around two different versions of title track "All Delighted People". Though only thought of as an EP that Stevens randomly released at the end of August, it's clear from the beginning melancholic strains of "All Delighted People (Original Version)" that there's so much more. Described by Stevens himself as "a dramatic homage to the Apocalypse, existential ennui, and Paul Simon's 'Sounds of Silence'" the "long form epic ballad" draws a level of grandeur I didn't know could be achieved. At nearly 12 minutes long, the original version of the title track contains so many different musical ideas. The beginning sounds a little like the Jimi Hendrix Experience with the progressive rock stylings of Yes' "I've Seen All Good People" with elements of The Beatles' "Eleanor Rigby" and yet distinctly original. The track has these tremendous ebbs and flows where the build ups includes choirs, sweeping string sections, raucous percussion; and the breaks features emotional stirring simplicity and quiet. The track is something that could've been released solely by itself, and yet is bundled with folksy ballads. By the time "All Delighted People (Classical Rock Version)" hits, Stevens has significantly distracted you from the EP's grandiose start to be able to regard the track with new ears. The new versions lacks the ominous foreboding present in the original version, the more upbeat nature of the version masking up some of the rather dark lyrics. "Arnika" follows off from the more psychedelic and electronic-tinged end of the classical rock version with a softer, more introspective, lilting return to the folk aspect of the album. "Djohariah", in all of its 17 minute glory, combines several successful parts of the album: brass, psychedelic rock inspired guitar solos, and hymn-like choral vocalises. Captivatingly pseudo-minimalistic, the track's first definitive lyrics aren't uttered until nearly 12 minutes in, but manages to maintain all of your attention up to and follow that moment.
Sufjan Stevens' EP has its own remarkable stature. I had listened to some of his music before and while taken with it, this was the first release that all throughout rendered me absolutely speechless and awestruck. Each track is masterfully crafted and produced and manages to fit together with the other one incredibly well. So while some Sufjan's fans wait with nail-bitting anticipation for the release of The Age of Adz in October, I'll be content to just listen to this glorious EP, with its awe-inspiring expansive size on pretty much non-stop repeat. You can listen to the EP on Stevens' band camp here.
Labels:
album review,
experimental,
folk,
Indie,
Sufjan Stevens
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