My introduction to Philadelphia trio Hop Along came from none of other than fellow Shaking Through Session alum Jeff Silverstein of Secret Mountains fame. Despite knowing that Jeff really liked Hop Along for several months it took until he threw "Sister Cities" on a really great mix for MTV Hive that I actually got around to listening to them.
There seems to be some sort of unspoken rule of modern indie rock that if you're a lady singer/songwriter, your vocals have to be coquette-ish, siren-like, or just beautiful as hell. Well Hop Along's singer Frances Quinlan refuses to play that game. Her vocals alternate between a sort of dusky rasp that would lend itself towards pristine folk reveries and a punky growl both perfectly fitting for Hop Along's angular rock purr.
All the more, Hop Along bring a refreshing unconventionalness toward their songs - Quinlan's lyrics elongated, held, or hit empathetic for effect, all the while the track surges forward and gains in intensity and Quinlan's raw emotive power instantly raise the emotional stakes. "Secret Cities" pairs tight-knit grooves with an almost poetic narrative lyricism effectively delivered to create a charging little number elevated by Frances Quinlan's emphatic roar. Here's hoping there's more to come from the Philly threesome and soon because "Secret Cities" is good old fashioned rock & roll gold
A music blog dedicated to my ever-expanding tastes. A musical journey with endless pitstops along the way. Bringing you the best of what I see and hear.
Showing posts with label Secret Mountains. Show all posts
Showing posts with label Secret Mountains. Show all posts
Monday, August 19, 2013
Thursday, June 6, 2013
Secret Mountains - Rainer (2013)
In comparison to their past recorded efforts (Rejoice in particular), Rainer is a starkly darker record. Darker textures, darker lyrics. Coming off the celebratory closing track off Rejoice "Rest Easy", that seems like a bit of twist and yet even in "Rejoice", the band tended towards similar tendencies. Beginning with title track, Rainer is an album with a surprisingly cinematic feel. The tracks follow in Secret Mountains' tradition of stretching out before you like a sparsely traveled country road and yet, this time around the tracks, the lyrics, the jams, the all around feel of it all is far more insistent, more hard-hitting, restless even. A remarkable change of pace from the Rejoice EP where the three song EP essentially floated by rather effortlessly.
Instead, "Rainer", "Coasting", and "Remainder" wouldn't be out of place in a indie action film or psychological thriller. Rainer seems to revel in its darker-seeking textural palette until around the time of "High Horse", a touching memorial to a departed friend. That's right about the time the record starts to brighten up a little, letting a bit of sunlight into its previously overcast skies especially on the hopeful, skyward reaching "Remainder".
A lot of bands are rather quick to put out a debut record sometimes to the point of not making sure it's really all that good. Secret Mountains inability to put out a full length until now has clearly helped them (not that they were ever in any danger of putting out a bad record) as Rainer seamlessly flows with the band at their absolute strongest, each members' input clearly visible. Three years may be a rather long time to wait before releasing a full length record but time has certainly been a blessing here, making sure that Rainer was the absolute best record it possibly could be. Each track memorable and endearing in its own way while also seeming very at home alongside the others. Rainer is an exercise in patience being its own reward, made all the better by the band coming into their own from just playing together. If three years time is what we need for a peak performance inspired record than I might not be so disappointed if Secret Mountains take another 3 years before offering up a follow up. Until then, Rainer is a more than exceptional placeholder.
Monday, March 25, 2013
Pitstop: Day Joy
Clearly there's something in the water down there in Florida. That's possible the only way to explain the sudden outpouring of new bands making invigoratingly creative new music like folky Orlando band Day Joy. While last year we were introduced to the masterful song craftsmanship of Hundred Waters and Levek, this year thanks to those fine folks over at Small Plates Records, we've been gifted with Day Joy and their debut full length Go To Sleep, Mess.
Similarly to other Florida bands who are suddenly making themselves known, Day Joy's greatest feat in taking something familiar and transforming it into something new and altogether unique without diminishing its relatability. Featuring the songwriting chops of Michael Serrin and Peter Michael Perceval III, Day Joy's songs are coated in lush textural atmospheric that elevate their melancholic folk into something more. And while the lyrics are certainly in no need of face-lifts, steeping them in differing textures gives them a sort of freshness and distinctive impact regardless of how many times you hear them.
While Day Joy's debut album is most assuredly an absolutely breath of fresh air, what's more incredible is their live set. I had the opportunity to see them not once but twice in a row and each show managed to be different but filled with a similar and electrifying energy. When Day Joy took to the stage at Secret Mountains' record release show, they played with a vivaciousness that belied the lethargy of their song's themes and moods intending quite clearly to outdo their already endearingly good show the night before. A intent they no doubt achieved. Unhampered by technical issues and filled with a well-deserved air of confidence, I can say with 100% certainty that everyone who saw them that night left a fan. As well they should.
After seeing them live, the record, while amazing, doesn't do the band enough justice. Live, their sleepy songs invoke a strange sort of excitement as you watch the layers coalesce in real time. Cello, multiple guitars, synths, banjo - it was a musical smorgasbord where each timbre was utilized effectively to create just the right kind of coloring that made your heart ache, pang, and leap especially when paired with Serrin's unexpected, emotive and strangely fitting punky shouts. Live versus on record, Day Joy are almost like two different beasts yet enjoyable all the same. If you have the opportunity to see the Florida band live, I'd most certainly recommend it but a couple dozen spins of their album is worthy of the same rigging endorsement. Check out Day Joy, you'll be glad you did.
You can purchase the debut record Go To Sleep, Mess from Small Plates Records.
Friday, January 11, 2013
All Around Sound's Most Anticipated Albums of 2013 Playlist
It's a whole new year which means a whole new release calendar to look forward to! A handful of bands have recently started unearthing album details and waking up each day to a new announcement is the bee's knees. It's still rather early in the year meaning more are sure to roll in as well as more details and previews but until then these are the releases I'm most juiced for based not on mere speculation but an announcement of some kind. Because if it was based on who I thought was releasing an album this year, this playlist would be hours long.
The Acorn
This year will see the end of Canadian band The Acorn's hibernation. Brought to my attention a mere couple months ago by my friend Corey it was the perfect time to get into them it seems. Without having to wait the three years since the release of No Ghost while also having enough time to explore their discography, I'm excited at what the new album Vieux Loup will sound like. No release date at present but a working title is a step in the right direction. Here's hoping more details are on the horizon.
ARMS
If you've been to any of their shows, this won't come as particularly shocking news to you but if you haven't, you might want to brace yourself. Maybe take a seat. After 2011's incredible underrated and criminally ignored sophomore record Summer Skills, ARMS are releasing an EP. When? The verdict is soon and for all intents and purposes it could drop any day now but a release is nigh. Any live show attendees might have heard a track or two or three or four from the upcoming five-song EP and well, I'm be straight with you: They're pretty damn great. Capturing the dramatic literary lyricism that drew me to them to the first place and pairing it with some absolutely astounding musical moment of the powerpop persuasion, I couldn't speak more highly of the forthcoming EP if I tried. And I haven't even heard it yet. But based off the 3 or 4 songs I've been lucky enough to hear, I'm willing to stake my reputation of it being one of the best releases slated for release this year. Get ready because you might never love another band more ever again. Until we can hear anything from it, here's the last song ARMS dropped - a self-remix of the title track from their sophomore record Summer Skills:
Brazos
One of my favorite new music discoveries last year was Texan turned native New Yorker Brazos aka singer/songwriter Martin Crane. His lyrics were poetic, his music full, ear-catching, and downright rocking. The strength of the introductory concert was enough to have me kicking myself for not having discovered Crane and his band all that much sooner. And yet with the release of his sophomore follow up to 2009's Phosphorescent Blues on the horizon for this year, maybe it's a good thing I didn't? I couldn't imagine being a long time fan that long having to wait nearly 4 years for new music. For those holding out that long, you have my most heartfelt sympathies. According to all the rave reviews I heard from those lucky enough to have it in their ears, the new record should be well worth the wait and makes me all that more anxious to get it in my own.
Little Tybee - Mind Grenade from LaundroMatinee on Vimeo.
Local Natives
I didn't really realize how much I missed Local Natives until the emerged triumphant from their latest bout of album recording. I've been a bit careless with my love for Local Natives, I'll confess. Never pouncing on opportunities to see them when I should and as the band seems poised to rocket up to bigger and bigger things, I might've missed my chance. At least without having to hardcore duke it out for my place in the Local Natives lovefest that's sure to follow after the release of their sophomore record Hummingbird. Why? After a remarkable debut, their next offering seems to be (as far as the two singles we've heard thus far will attest to) far better. Which is saying something. It's an album that's on everyone's must-have list and for good reason.
Pattern is Movement
I'm rather late to Pattern is Movement party but better than never I say. Thanks to a sound guy at Cameo Gallery I heard and fell in love with the incredible All Together and so the news that Pattern is Movement are about to put out a new album this year is simply the best new. No idea when it'll be other than soon or what it'll be because a band like Pattern is Movement is rarely to do the same thing twice, I'm full of excitement just thinking about all the things that could be. Until details emerge this is one thing you can do to find out what you're in for: go see Pattern is Movement live. They're playing a handful of shows and have promised to play some new songs then.
Secret Mountains
A couple years of plying their trade, two EPs and one cassette of new, original material later, Baltimore psychedelic rock outfit Secret Mountains are just about ready to put their debut full length out into the world. It should be cause for excitement. Though a pretty great band from the get-go, Rainer sees Secret Mountains truly coming into their own - exploring emotional depths not yet plumped, tightening up their band sound, and making their jams that much more undeniable. If there's any justice in the world, 2013 will be a big year for Secret Mountains. The progress and sheer strength of their debut makes anything else absolutely unfair. Rainer will be out February 26th on Friends Records.
Typhoon
After what seemed like a whole year of talking it up, it's finally 2013 and Typhoon's follow up to Hunger and Thirst and A New Kind of House EP is so close you can almost hear it. Actually a couple months ago, the Portland folk orchestra gave us a taste of what to expect from White Lighter with single "Common Sentiments" and while no details have really emerged since then, it's really only a matter of time. And then the massive sensemble will tour and all will be as it should until they disappear to record a new album. Luckily we have some time with them before that's even an option.
The Voluntary Butler Scheme
The music of English multi-instrumentalist Rob Jones is a bit of conundrum. Reading about it or even seeing it, it's a process that's shocking creative and far more complex than it's sound will have you believe. Jones crafts music very much like those of the most radical experimentalists - relying far more heavily on the precise combination of sounds and a deft hand at detail than what you'd think necessary and yet that's all part of the appeal. For the complexity and innovative forethought Jones' process possess, the sound is clear, simple, and most importantly, enjoyable. It's a sound steeped in those of old despite Jones' very current approach. The third album from The Voluntary Butler Scheme A Million Ways to Make Gold seems (at least from its first single) to be a return to form from the futuristic leaning The Grandad Galaxy but rather than be some sort of backpedal just highlights Jones' ability to create smooth, svelte pop from an arduously complex process.
Wildlife
It's the moment I've been waiting for ever since the Toronto rockers released their debut album Strike Hard, Young Diamond. Wildlife have been hard at work on their sophomore record spiriting away to a cabin to work on songs before splitting their time between Brooklyn and Connecticut to record the thing. Meanwhile they've been keeping us informed on all the update taking wacky pictures, writing blogs, and giving hints at what to come without actually giving us anything substantial to go off of. Not yet anyway. But yesterday the Canadian quintet revealed the title and cover art for their upcoming record ...On The Heart and I am pumped. The album will be out in the world February 26th and words don't exist to describe my excitement.
Young Dreams
After three absolutely incredible singles, the debut full length Norwegian orchestral pop collective Young Dreams is almost within reach. We've heard the grandiose gladiator-themed first single "Fog of War" and we can probably something equally as majestic, as musical, as excellent of Between Places. What's more the good news is their new album might actually bring the band stateside and that's the only thing I want right now. Between Places will be out March 5th in the states on Modular Recordings.
Young Man
I know what you're thinking: didn't Young Man just release a new album a couple months ago? Yes, yes they did. And piggybacking an album release right on the heels of an album release is normally very very risky for fear of the songs not being as developed as they should be but if there's anyone that could put out teo amazing albums close together it's most likely Colin Caulfield. He's got such a thoughtful way with words and songwriting that you just know he took time to let the songs gestate naturally. I have complete and utter faith in Young Man that their new record Beyond Was All Around Me out April 9th is going to be super. No word yet on what it'll actually sound like but any news is good news in this case. Due to the lack of a single, I'll just post a track from Young Man's brilliant Vol. 1.
The Acorn
This year will see the end of Canadian band The Acorn's hibernation. Brought to my attention a mere couple months ago by my friend Corey it was the perfect time to get into them it seems. Without having to wait the three years since the release of No Ghost while also having enough time to explore their discography, I'm excited at what the new album Vieux Loup will sound like. No release date at present but a working title is a step in the right direction. Here's hoping more details are on the horizon.
ARMS
If you've been to any of their shows, this won't come as particularly shocking news to you but if you haven't, you might want to brace yourself. Maybe take a seat. After 2011's incredible underrated and criminally ignored sophomore record Summer Skills, ARMS are releasing an EP. When? The verdict is soon and for all intents and purposes it could drop any day now but a release is nigh. Any live show attendees might have heard a track or two or three or four from the upcoming five-song EP and well, I'm be straight with you: They're pretty damn great. Capturing the dramatic literary lyricism that drew me to them to the first place and pairing it with some absolutely astounding musical moment of the powerpop persuasion, I couldn't speak more highly of the forthcoming EP if I tried. And I haven't even heard it yet. But based off the 3 or 4 songs I've been lucky enough to hear, I'm willing to stake my reputation of it being one of the best releases slated for release this year. Get ready because you might never love another band more ever again. Until we can hear anything from it, here's the last song ARMS dropped - a self-remix of the title track from their sophomore record Summer Skills:
Brazos
One of my favorite new music discoveries last year was Texan turned native New Yorker Brazos aka singer/songwriter Martin Crane. His lyrics were poetic, his music full, ear-catching, and downright rocking. The strength of the introductory concert was enough to have me kicking myself for not having discovered Crane and his band all that much sooner. And yet with the release of his sophomore follow up to 2009's Phosphorescent Blues on the horizon for this year, maybe it's a good thing I didn't? I couldn't imagine being a long time fan that long having to wait nearly 4 years for new music. For those holding out that long, you have my most heartfelt sympathies. According to all the rave reviews I heard from those lucky enough to have it in their ears, the new record should be well worth the wait and makes me all that more anxious to get it in my own.
The Cave Singers
When I say that Seattle's folk rock trio The Cave Singers were one of the best opening bands I have ever seen, I hope you don't immediately accuse me of hyperbole. Opening for Fleet Foxes back in 2011, they were a very special kind of opening band. I had heard whispers of their existence before then sure but nothing cemented my interest in them as much as seeing them rock out live. To say that I've been biding my time until they saw fit to return isn't an exaggeration. I have been and I assume when they return their set will be just as fun if not more so than what I experienced. Maybe then I can right the wrongs of a whole sold out seated venue full of people refusing to get up and dance to "Black Leaf" when asked. Maybe.
Friend Roulette
They may have retired one of my favorite songs in their catalog indefinitely (I'm talking about the Friend Roulette EP's "Sailing Song" by the way) but the songs they've replaced it with are too incredible for me to get sore. The quirky Brooklyn chamber pop sextet has talent bubbling out it's pores and each song they write is pretty darn original and that's cause for excitement. This year, their debut full length I'm Sorry You Hit Your Head should get out of development hell and then the band can get all the praise and accolades they deserve. Seriously. For all the scores of Brooklyn bands there's few with as much originality and vision and passion as Friend Roulette. From Casablanca recalling "Or Berlin" to R&B-esque "Lie", Friend Roulette seem willing to try anything and that versatility and openness is sure to benefit them in the long run.
Guards
In case you couldn't tell due to my incessant posting about them but I really like Guards. They take what so many bands are trying to do in the nostalgia-fueled rock vein and do so in a way that leaves very little yo be desired. It's almost impossible to explain what makes Guards work so well. Each tune we see from their upcoming debut In Guards We Trust just establishes what we already knew and why we so desperately wanted an album from the New York based trio: they're a damn good band. They manage to be both pleasant and intricate and jammy and simple without falling prey to any of the negative tendencies those involving while giving listeners and fans what they want while not being predictable about it. Guards are kind of an enigma, really but they're a rather friendly, pop song crafting one and that works just fine.
Little Tybee
It was supposed to come out last year but due to a series of remarkably unfortunate events and the band deciding to take some extra time to make sure it was really offering up gold star material 2013 is the year of Little Tybee's For Distant Viewing. Rather nervous when they announced the album's release right after Humorous to Bees came out in 2011, I'm a little glad they took time to prioritize a stellar release over just another release in general. Especially considering the break between albums is crucial for not burning yoursef out. The few tracks we've been treated to are certainly strong enough but that extra bit of care will undoubtedly result in a far more album than anyone could possibly imagine. I'm rightfully pumped as should you be.When I say that Seattle's folk rock trio The Cave Singers were one of the best opening bands I have ever seen, I hope you don't immediately accuse me of hyperbole. Opening for Fleet Foxes back in 2011, they were a very special kind of opening band. I had heard whispers of their existence before then sure but nothing cemented my interest in them as much as seeing them rock out live. To say that I've been biding my time until they saw fit to return isn't an exaggeration. I have been and I assume when they return their set will be just as fun if not more so than what I experienced. Maybe then I can right the wrongs of a whole sold out seated venue full of people refusing to get up and dance to "Black Leaf" when asked. Maybe.
Friend Roulette
They may have retired one of my favorite songs in their catalog indefinitely (I'm talking about the Friend Roulette EP's "Sailing Song" by the way) but the songs they've replaced it with are too incredible for me to get sore. The quirky Brooklyn chamber pop sextet has talent bubbling out it's pores and each song they write is pretty darn original and that's cause for excitement. This year, their debut full length I'm Sorry You Hit Your Head should get out of development hell and then the band can get all the praise and accolades they deserve. Seriously. For all the scores of Brooklyn bands there's few with as much originality and vision and passion as Friend Roulette. From Casablanca recalling "Or Berlin" to R&B-esque "Lie", Friend Roulette seem willing to try anything and that versatility and openness is sure to benefit them in the long run.
Guards
In case you couldn't tell due to my incessant posting about them but I really like Guards. They take what so many bands are trying to do in the nostalgia-fueled rock vein and do so in a way that leaves very little yo be desired. It's almost impossible to explain what makes Guards work so well. Each tune we see from their upcoming debut In Guards We Trust just establishes what we already knew and why we so desperately wanted an album from the New York based trio: they're a damn good band. They manage to be both pleasant and intricate and jammy and simple without falling prey to any of the negative tendencies those involving while giving listeners and fans what they want while not being predictable about it. Guards are kind of an enigma, really but they're a rather friendly, pop song crafting one and that works just fine.
Little Tybee - Mind Grenade from LaundroMatinee on Vimeo.
Local Natives
I didn't really realize how much I missed Local Natives until the emerged triumphant from their latest bout of album recording. I've been a bit careless with my love for Local Natives, I'll confess. Never pouncing on opportunities to see them when I should and as the band seems poised to rocket up to bigger and bigger things, I might've missed my chance. At least without having to hardcore duke it out for my place in the Local Natives lovefest that's sure to follow after the release of their sophomore record Hummingbird. Why? After a remarkable debut, their next offering seems to be (as far as the two singles we've heard thus far will attest to) far better. Which is saying something. It's an album that's on everyone's must-have list and for good reason.
Pattern is Movement
I'm rather late to Pattern is Movement party but better than never I say. Thanks to a sound guy at Cameo Gallery I heard and fell in love with the incredible All Together and so the news that Pattern is Movement are about to put out a new album this year is simply the best new. No idea when it'll be other than soon or what it'll be because a band like Pattern is Movement is rarely to do the same thing twice, I'm full of excitement just thinking about all the things that could be. Until details emerge this is one thing you can do to find out what you're in for: go see Pattern is Movement live. They're playing a handful of shows and have promised to play some new songs then.
Secret Mountains
A couple years of plying their trade, two EPs and one cassette of new, original material later, Baltimore psychedelic rock outfit Secret Mountains are just about ready to put their debut full length out into the world. It should be cause for excitement. Though a pretty great band from the get-go, Rainer sees Secret Mountains truly coming into their own - exploring emotional depths not yet plumped, tightening up their band sound, and making their jams that much more undeniable. If there's any justice in the world, 2013 will be a big year for Secret Mountains. The progress and sheer strength of their debut makes anything else absolutely unfair. Rainer will be out February 26th on Friends Records.
Typhoon
After what seemed like a whole year of talking it up, it's finally 2013 and Typhoon's follow up to Hunger and Thirst and A New Kind of House EP is so close you can almost hear it. Actually a couple months ago, the Portland folk orchestra gave us a taste of what to expect from White Lighter with single "Common Sentiments" and while no details have really emerged since then, it's really only a matter of time. And then the massive sensemble will tour and all will be as it should until they disappear to record a new album. Luckily we have some time with them before that's even an option.
The Voluntary Butler Scheme
The music of English multi-instrumentalist Rob Jones is a bit of conundrum. Reading about it or even seeing it, it's a process that's shocking creative and far more complex than it's sound will have you believe. Jones crafts music very much like those of the most radical experimentalists - relying far more heavily on the precise combination of sounds and a deft hand at detail than what you'd think necessary and yet that's all part of the appeal. For the complexity and innovative forethought Jones' process possess, the sound is clear, simple, and most importantly, enjoyable. It's a sound steeped in those of old despite Jones' very current approach. The third album from The Voluntary Butler Scheme A Million Ways to Make Gold seems (at least from its first single) to be a return to form from the futuristic leaning The Grandad Galaxy but rather than be some sort of backpedal just highlights Jones' ability to create smooth, svelte pop from an arduously complex process.
Wildlife
Young Dreams
After three absolutely incredible singles, the debut full length Norwegian orchestral pop collective Young Dreams is almost within reach. We've heard the grandiose gladiator-themed first single "Fog of War" and we can probably something equally as majestic, as musical, as excellent of Between Places. What's more the good news is their new album might actually bring the band stateside and that's the only thing I want right now. Between Places will be out March 5th in the states on Modular Recordings.
Young Man
I know what you're thinking: didn't Young Man just release a new album a couple months ago? Yes, yes they did. And piggybacking an album release right on the heels of an album release is normally very very risky for fear of the songs not being as developed as they should be but if there's anyone that could put out teo amazing albums close together it's most likely Colin Caulfield. He's got such a thoughtful way with words and songwriting that you just know he took time to let the songs gestate naturally. I have complete and utter faith in Young Man that their new record Beyond Was All Around Me out April 9th is going to be super. No word yet on what it'll actually sound like but any news is good news in this case. Due to the lack of a single, I'll just post a track from Young Man's brilliant Vol. 1.
Thursday, January 10, 2013
Listen: Secret Mountains - "Coasting"
After a three song preview cassette, a successful Kickstarter campaign, and quite a bit of teasing Baltimore psych-rockers Secret Mountains debut full length Rainer is almost upon us. What's more, yesterday over at Disco Naivete, a brand new single was premiered from the Baltimore sextet and simply put, it's incredible.
"Coasting" follows in the more immediate, more insistent footsteps of Winter Sessions songs like "Make Love Stay" or "Golden Blue" while still maintaining it's own place in Secret Mountains catalog of jams. It's a dark, surging track crackling with a mighty intensity and an almost ferocious gait as guitar riffs amble in and out of focus and Kelly Laughlin takes the helm of the fast-paced dirge. There's a heightened sense of drama as the track plods forward that it could very well be the stuff of action movie soundtracks. Instead it's the latest in a collection of bristling, intricate jams that Secret Mountains have seemingly perfected. The perfect track to get you righteously pumped for Secret Mountains debut.
Listen to "Coasting" now:
Secret Mountains' debut full length Rainer is out February 26th on Friends Records. Pre-orders are available here.
(via Disco Naivete)
Wednesday, December 19, 2012
All Around Sound's Favorite Tracks of 2012
In a year that I felt was far more populated by stellar singles than exceptional full length albums, the idea of cherry-picking my favorite tracks of the year seemed more than a little daunting. While my favorite albums seemed like such a no brainer, arranging my favorite songs of the year seemed like a far more stressful but not impossible endeavor. So here's my favorite tracks of the year, arranged in no particular order. Enjoy!
Plants & Animals - "Lightshow", The End of All That
It's the track that singlehandedly dominated the early part of my year, while The End of All That was ultimately a major letdown for me in terms of living up to this fantastic lead single, to omit it from this list seemed wrong. Why? Have you ever heard a more earcatching single? That question is rhetorical and the answer is no. A track that grabs you right from when you press play, "Lightshow" manages to be rather simple in construction, featuring a pretty standard slow build incorporation of instrument but it's when these all converge together that the consuming power of the track is revealed. The lyrics? Awesome. The not too balls-to-the-wall style of rock that enables the immediate attention paid to the lyrics? Also awesome. It might very well be the single greatest song the band has written/performed and that's why even after burn after constant burn, I'm guaranteed to come back.
Lower Dens - "Brains", Nootropics
The first single from Lower Dens hot anticipated sophomore record Nootropics was a righteous jam. There's no other way around it. It's the kind of track you imagine would be twice as long live because it's pretty much neverending in it's simplicity. Chug-a-long guitar riffs with a sort of question/answer voice part. It sort of belies where the rest of Nootropics was bound to go (that is, a set of non-jams). It's catchy for its insistence and manages to avoid being annoying about it. It's a track that easily gets stuck in your head but that you make no major effort to get rid of. The lyrics may be obscured by fuzz but the track is no less enjoyable. Just thinking about the track gets the repetitive chunky lines stuck in your noggin and next thing you know you're jamming along to "Brains" on repeat and anywhere from 30 minutes to 2 days have gone by. It's dangerously time-consuming but you wouldn't have it any other way.
Father John Misty - "Hollywood Forever Cemetery Sings", Fear Fun
In the initial cymbal crash of "Hollywood Forever Cemetery Sings" mild-mannered J.Tillman singer/songwriter/drummer of Fleet Foxes fame was instantaneously reborn as Father John Misty. While Fear Fun remains to be an album many are trying to fully wrap their heads around (myself included), one thing is clear "Hollywood Forever Cemetery Sings" fully justifies Tillman's Fleet Foxes split on its own merit. It shows a more honest, decidedly more creative Tillman than we've experienced thus far and it's far better for it. It also helps that it's catchy as hell. So catchy that the lyrics aren't immediately apparent to the listener. After dozens of listens it wasn't until reading an interview with Tillman where I realized the song was about graveyard sex. Cool. It's a proper departure from the songs about heartbreak and reconciliation that your standard singer/songwriter doles out in spades. The track alone was enough to ease the hurt of no longer getting to witness Tillman charming up Robin Pecknold's awkward stage banter as well as providing something new and exciting to look forward to. Father John Misty, you can stay.
Alt-J, "Breezeblocks", An Awesome Wave
While support of UK art-pop band Alt-J seems to be split right down the middle, one thing is clear at least to me "Breezeblocks" is incredible. It might've been the accompanying video shot in reverse but from the second I heard "Breezeblocks" I was hooked. It's a spindly, slowly-raveling tune which lurches forth with more than its fair share of mood changes. Sparse folky interludes burst into a grooving, multi-layered laid-back rock. For me, it's the most appealing song from Alt-J; the track you throw on a mix or send along when you're trying to gauge whether someone would like them or just to give them a taste of what the band sounds like when it's at its best.
Patrick Watson, "Into Giants", Adventures in Your Own Backyard
"Into Giants" is the probably the best example of Adventures in Your Own Backyard's normalized grandeur, raising a simple love song to fairy tale pleasantness. But far more impressive is Watson's song construction, properly enlisting a strong female vocal to act as a foil to his soft falsetto. It's easily the most memorable song of the album and it's not hard to see why. A lighthearted jaunt composed of various little flourishes and moving parts but plays smoothly and places melody at the forefront. "Into Giants" is Watson at his absolute songwriting best creating a track that's insanely enjoyable to listen to while also giving you that heart-clench you get from a properly emotional song. The perfect balance whimsical pop that still manages to stay grounded with a bit of seriousness.
Daniel Rossen, "Not Coming Back"
Anyone who knows me probably knows that I have a major love of Daniel Rossen's non-Grizzly Bear related projects. Department of Eagles, his solo stuff, whatever, I've never been disappointed. Even though he released an immaculate solo EP this year, the greatest gift happened when Rossen entered the 21st century and joined the social networking site Twitter. Why? Because though he doesn't tweet often when he does he does something incredible like drop a previously unreleased track from days past. Case in point: "Not Coming Back" a demo that apparently Rossen doesn't think too highly of, he's since dispersed it among Silent Hour/Golden Mile and Shields and seeing no future use for the remains posted it to his Soundcloud for curious ears. Obviously Rossen is a perfectionist of the highest order because "Not Coming Back" is brilliant. An emotive jam that seems to be establishing itself as Rossen's trademark, it's hard to believe "Not Coming Back" isn't a fully realized song ready for release.
Flock of Dimes, "Prison Bride", Prison Bride 7"
The solo project of Wye Oak's Jenn Wasner, I was too busy making up for lost time listening to Wye Oak's Civilian to pay any attention to Wasner's solo debut last year. In fact it wasn't until Caleb from Lands & Peoples mentioned that he picked up the recently released 7" that I was even aware Flock of Dimes existed and while she's put out a fairly sizeable amount of new tracks in the year, "Prison Bride" remains the most insistent, the most demanding of my attention and infinite listens. Perhaps its because so many parts of its overall construction seem so non-beautiful. The chunky beats and percussive effects compliment Wasner's dizzying vocals perfectly. Wasner seems to be on a crusade to elevate the current status of pop music and with tracks like "Prison Bride" she does a pretty good job of throwing her hat into the ring. I hope there's more songs like Flock of Dimes' or even that Wasner herself gets more popular (which is normally not a thing I wish on any of the bands I like) as everyone can do with a little more substance like Wasner seems inclined to dole out.
ARMS, "Summer Skills (Bump in the Night Version)"
Ah, some of you might think of this as the obligatory ARMS track that's meant to go on my list since my almost two year long obsession with them and perhaps you'd be right in that. But in addition to wanting to have one of my favorite bands represented in a year-end roundup there's also the fact that the jazzed up version of the title track off last year's incredible Summer Skills is a real home-run. Normally a slow-burning ballad, ARMS put a little bit of a groove-centric spin on the track (which actually got debuted at their record release show last year) and went about putting it to tape this year. Ace. Not everyone is always in the mood for a ballad but everyone and I do mean everyone is in the mood for a jam and the Bump in the Night version of "Summer Skills" is a jam if there ever was one. Taking its place among other Summer Skills ragers proudly.
The Tallest Man on Earth, "To Just Grow Away", There's No Leaving Now
With a large part of The Tallest Man on Earth's draw (and subsequent criticism) being that each album adds a number of songs to a steadily growing songbook, every once in awhile you have a song that really stands out among the crowd. Impressive considering Matsson balances his songwriting talent pretty evenly among his albums tracklists. The Wild Hunt's was "The Drying of the Lawns" (with "King of Spain" a very close second), Sometimes The Blues Is Just A Passing Bird's was "Thrown Right At Me", and There's No Leaving Now seems to "To Just Grow Away" despite valiant efforts made by "1904" and "Revelation Blues". It's the beginning track and sets the stage wonderfully for the album's rather different take on Matsson's rambling folk reveries.
Tallest Man on Earth - To Just Grow Away by maggiemreid
AU, "Solid Gold", Both Lights
There are tons of bands that claim to be or are lauded as being energetic and then a band like AU comes around to prove what being energetic really means. "Solid Gold" with its wild, breakneck mbira is and unfettered masterpiece of unrivaled, untameable energy. Sure, there's the occasional slow down when Holland Andrews enters lovingly caressing each note but ultimately the track moves at a speed that'd be nerve-wracking if it weren't so perfectly executed. At any moment the track seems like it could burst into flames ruined by it's own hubris of flying too close to the sun but it never does. It's a musical thrill-ride, nusic as a spectacle in the best way. "Solid Gold" is catchy as hell to rival AU's artistic ambition. The track bustling and frantic but confident in its abilities. It pays off because the risk seems monumental.
Prussia - "Annie", Girl Cops single
While Prussia may (or may not) be a thing of the past, they made sure to leave us with one more nugget of sweet, quirky songwriting with the Girl Cops single. And while the single is no doubt excellent, I fell hard for the b side "Annie". Featuring Prussia cinematic scope and innovative storytelling "Annie" is one of the reasons I'm going to miss Prussia. Ryan Spencer's lyrics have a tendency to explain just the right amount to give the narrative life while making you fill in the blanks yourself and also giving more questions than answers. It's never quite clear who Annie is exactly as major of an influence as she is on the song's course - instead minor details about her shift slightly more into focus as her character hangs back in the periphery. This combined with the sort of glammy 80s synth-pop vibe that manages to stay aligned with Prussia's intimate chamber pop stylings, it's not hard for the track to win you over. Vivacious, intelligent, and weird "Annie" could very well be inspired by the messed up realm of Poor English without fitting tidily into that box.
Lucius, "Genevieve", Lucius EP
There are few bands around as good as Lucius. While band after band can and will continue to use 60s girl pop as their muse, few will do so as effectively as the Brooklyn quintet. In fact, my first brush with them turned me into a puddle of exclamation. My brain couldn't process the level of talent being dished out and that wasn't some fluke - each member of Lucius is an integral part of that effect not just Jess Wolfe and Holly Laessig's tight-knit harmonies and jaw-dropping vocal chops (though they certainly do help). While the full effect of Lucius isn't attained outside of their live set, "Genevieve" is most closely captures the vivacious brassy attitudes, the sauntering melodies, the dynamic musicianship. It's short but sweet, simple but all-consuming, "Genevieve" hints at the playfulness and the rising levels of mind-shattering interplay of the band while being restrained enough that you don't utterly lose it when the track plays. Win win.
Perhaps it's because it's the single upbeat track in a series of brooding ones, maybe it's that it functions as the perfect showcase for Meagan Grandall and Kendra Cox's vocals accompanied purely by a piano, beat-keeping drum and a limitless sense of freedom but "Open Air" was the track I found myself returning to over and over again on Lemolo's stunning debut The Kaleidoscope. Simple lyrically as well as compositionally, it manages to grip you by putting the two ladies' harmonies fully on display unencumbered.
Illuminator - "Tangled With Bear", Soul Sister (forthcoming)
What can I say I have a real fondness for concept albums. The higher the stakes for it to be completely missed or fail completely, the more I'm interested in it. Sure, sometimes releases get bogged down with all the minute details that came from crafting a record as much more than just a musical narrative but when they really get it, it's excellent. Enter Illuminator: On paper Soul Sister (or what we've heard from it thus far rather) seems weird. Like REALLY weird. In execution though it works, surprisingly. "Tangled With Bear" kind of drops you into the middle of the action: a battle between the album's protagonist and a violent soul he's confronted through multiple lifetimes. Without the concept, "Tangled With Bear" is a rollicking blues rock jam which alternates between moments of delicate pulsating narrative-driven plotting and glorious bursting emotive climaxes. In concept, it's more than just an addictive piece of southern-inspired rock, it's cathartic and interesting to have an internal and external battle taking place with the music functioning as both weapon and battlefield. Weird, yes, but good. Normal's overrated anyway.
Town Hall - "Mary A. Longden", Roots & Bells
If you're going to go the tall tell narrative route of folk pop, you've got to be damn good. Not just in lyrical content but in overall presentation. The tales, the arrangements, you name it they all better be pretty damn interesting otherwise you end up with a sort of "Why am I listening to this?!" sort of reaction. Because your narrative aren't grounded enough in reality to be considerably relatable. Fortunately that's not really a problem for Town Hall who released a whole album of narrative-driven songs of their own creation in Roots & Bells. One of the absolute gems being "Mary A. Longden" so good they released it twice. First on their Sticky Notes & Paper Scraps EP and then premier full length debut. They may not be doing anything genre-defying in terms of instrumentation or overall but where they do deserve some credit lies in their absolute creativity and ability to make a series of character studies into something worthwhile and accessible. Their vocals also happen to be downright crackerjack.
Johnny Flynn - "Flowers in My Garden", A Bag of Hammers soundtrack
Earlier this year, British folk singer Johnny Flynn surprised everyone with a two day jaunt across the US (one day in NY, one in LA) before retreating back to the Britain. The reason why seemed unclear. Did Flynn just miss touring after a year of theatre engagements? Yes. Was there new Johnny Flynn material on the horizon? Not quite but sure. While Flynn is still at work on his follow up to Been Listening, we did get new release from him in the form of a soundtrack he wrote for the indie dramedy A Bag of Hammers. The first track from the soundtrack out well over half a year before the soundtrack streeted, it's Johnny Flynn at his best: An updated but inspired take on actual folk music. The track sounds very much like the music used in the Shakespeare plays he's been featuring in and perhaps that's the intent. But also: The track is just plain good.
Gracie - "Creature Pleaser", Bleeder (forthcoming)
What isn't there to like about "Creature Pleaser"? The first taste from Gracie's forthcoming full length, the track is an absolutely infectious and entirely all-consuming dance jam. If any of Bleeder's tracks come anywhere close to this one in terms of just insane catchiness, we're going to all be in real trouble. Because from the moment you press play on "Creature Pleaser", listening to anything else seems like an absolute chore. Instead you're compelled to just replay it and marvel at it's toe-tapping, body-moving splendor. Fairly certain the song is laced with some sort of high grade aural crack because one you start you're hooked and it isn't until someone intervenes. But damn if it isn't the best 4 minute potentially life-ruining decision you've made.
Cheyenne Marie Mize - "Keep It", We Don't Need EP
As Cheyenne Marie Mize reaches a rather eclectic happy medium on her We Don't Need EP, the straight up feisty girl rock track "Keep It" was really what conquered me. The whole EP a charming display of personality, "Keep It" with it's rather eloquent rejection gives Sharon Van Etten's "Serpents" a run for its money with its level of casual, fiery badassery. It's as easy as that. There's no posturing, no elaborate metaphor; "Keep It" is a scorching dismissal pairing with all the rock trimmings needed to drive Mize's point home.
Lands & Peoples, "I Tried", Pop Guilt
If an album is featured on one of my favorites list I try not to feature it on the other (try being the operative word because last year didn't work that way) but sometimes you just gotta do what you gotta do. To not feature "I've Tried" would not only be the biggest slap in the face to the uber talented Baltimore lads but also to the idea of a favorites list. "I've Tried" has gotten a hell of a lot of play from me. Maybe more so than any other song on this list? Why? Well it takes Lands & Peoples "there's actually a buttload of complex things happening here but listen to how fluid it all sounds" method of song construction that I had become enamored with and put it in a decidedly more poppy context than I was used to from the band. It's also one of the few songs on their record that really shine a spotlight on the vocals. Sure there's singing all over the album but really "Ukulele", "Ghosts", and "I Tried" show Lands & Peoples at their best vocally. While "Ukulele" and "Ghosts" are more emotional fare, "I Tried" is more guilt-free pop (if you can really even call anything Lands & Peoples that), which manages both a showcase for Lands & Peoples creative accompaniment (there's a part from Terminator thrown in there!) as well as Caleb Moore's vocals. There's even a bit of that trademark L&P harmony. Just a small taste but it's a nice touch.
Plants & Animals - "Lightshow", The End of All That
It's the track that singlehandedly dominated the early part of my year, while The End of All That was ultimately a major letdown for me in terms of living up to this fantastic lead single, to omit it from this list seemed wrong. Why? Have you ever heard a more earcatching single? That question is rhetorical and the answer is no. A track that grabs you right from when you press play, "Lightshow" manages to be rather simple in construction, featuring a pretty standard slow build incorporation of instrument but it's when these all converge together that the consuming power of the track is revealed. The lyrics? Awesome. The not too balls-to-the-wall style of rock that enables the immediate attention paid to the lyrics? Also awesome. It might very well be the single greatest song the band has written/performed and that's why even after burn after constant burn, I'm guaranteed to come back.
Lower Dens - "Brains", Nootropics
The first single from Lower Dens hot anticipated sophomore record Nootropics was a righteous jam. There's no other way around it. It's the kind of track you imagine would be twice as long live because it's pretty much neverending in it's simplicity. Chug-a-long guitar riffs with a sort of question/answer voice part. It sort of belies where the rest of Nootropics was bound to go (that is, a set of non-jams). It's catchy for its insistence and manages to avoid being annoying about it. It's a track that easily gets stuck in your head but that you make no major effort to get rid of. The lyrics may be obscured by fuzz but the track is no less enjoyable. Just thinking about the track gets the repetitive chunky lines stuck in your noggin and next thing you know you're jamming along to "Brains" on repeat and anywhere from 30 minutes to 2 days have gone by. It's dangerously time-consuming but you wouldn't have it any other way.
Father John Misty - "Hollywood Forever Cemetery Sings", Fear Fun
In the initial cymbal crash of "Hollywood Forever Cemetery Sings" mild-mannered J.Tillman singer/songwriter/drummer of Fleet Foxes fame was instantaneously reborn as Father John Misty. While Fear Fun remains to be an album many are trying to fully wrap their heads around (myself included), one thing is clear "Hollywood Forever Cemetery Sings" fully justifies Tillman's Fleet Foxes split on its own merit. It shows a more honest, decidedly more creative Tillman than we've experienced thus far and it's far better for it. It also helps that it's catchy as hell. So catchy that the lyrics aren't immediately apparent to the listener. After dozens of listens it wasn't until reading an interview with Tillman where I realized the song was about graveyard sex. Cool. It's a proper departure from the songs about heartbreak and reconciliation that your standard singer/songwriter doles out in spades. The track alone was enough to ease the hurt of no longer getting to witness Tillman charming up Robin Pecknold's awkward stage banter as well as providing something new and exciting to look forward to. Father John Misty, you can stay.
Alt-J, "Breezeblocks", An Awesome Wave
While support of UK art-pop band Alt-J seems to be split right down the middle, one thing is clear at least to me "Breezeblocks" is incredible. It might've been the accompanying video shot in reverse but from the second I heard "Breezeblocks" I was hooked. It's a spindly, slowly-raveling tune which lurches forth with more than its fair share of mood changes. Sparse folky interludes burst into a grooving, multi-layered laid-back rock. For me, it's the most appealing song from Alt-J; the track you throw on a mix or send along when you're trying to gauge whether someone would like them or just to give them a taste of what the band sounds like when it's at its best.
Patrick Watson, "Into Giants", Adventures in Your Own Backyard
"Into Giants" is the probably the best example of Adventures in Your Own Backyard's normalized grandeur, raising a simple love song to fairy tale pleasantness. But far more impressive is Watson's song construction, properly enlisting a strong female vocal to act as a foil to his soft falsetto. It's easily the most memorable song of the album and it's not hard to see why. A lighthearted jaunt composed of various little flourishes and moving parts but plays smoothly and places melody at the forefront. "Into Giants" is Watson at his absolute songwriting best creating a track that's insanely enjoyable to listen to while also giving you that heart-clench you get from a properly emotional song. The perfect balance whimsical pop that still manages to stay grounded with a bit of seriousness.
Daniel Rossen, "Not Coming Back"
Anyone who knows me probably knows that I have a major love of Daniel Rossen's non-Grizzly Bear related projects. Department of Eagles, his solo stuff, whatever, I've never been disappointed. Even though he released an immaculate solo EP this year, the greatest gift happened when Rossen entered the 21st century and joined the social networking site Twitter. Why? Because though he doesn't tweet often when he does he does something incredible like drop a previously unreleased track from days past. Case in point: "Not Coming Back" a demo that apparently Rossen doesn't think too highly of, he's since dispersed it among Silent Hour/Golden Mile and Shields and seeing no future use for the remains posted it to his Soundcloud for curious ears. Obviously Rossen is a perfectionist of the highest order because "Not Coming Back" is brilliant. An emotive jam that seems to be establishing itself as Rossen's trademark, it's hard to believe "Not Coming Back" isn't a fully realized song ready for release.
Flock of Dimes, "Prison Bride", Prison Bride 7"
The solo project of Wye Oak's Jenn Wasner, I was too busy making up for lost time listening to Wye Oak's Civilian to pay any attention to Wasner's solo debut last year. In fact it wasn't until Caleb from Lands & Peoples mentioned that he picked up the recently released 7" that I was even aware Flock of Dimes existed and while she's put out a fairly sizeable amount of new tracks in the year, "Prison Bride" remains the most insistent, the most demanding of my attention and infinite listens. Perhaps its because so many parts of its overall construction seem so non-beautiful. The chunky beats and percussive effects compliment Wasner's dizzying vocals perfectly. Wasner seems to be on a crusade to elevate the current status of pop music and with tracks like "Prison Bride" she does a pretty good job of throwing her hat into the ring. I hope there's more songs like Flock of Dimes' or even that Wasner herself gets more popular (which is normally not a thing I wish on any of the bands I like) as everyone can do with a little more substance like Wasner seems inclined to dole out.
ARMS, "Summer Skills (Bump in the Night Version)"
Ah, some of you might think of this as the obligatory ARMS track that's meant to go on my list since my almost two year long obsession with them and perhaps you'd be right in that. But in addition to wanting to have one of my favorite bands represented in a year-end roundup there's also the fact that the jazzed up version of the title track off last year's incredible Summer Skills is a real home-run. Normally a slow-burning ballad, ARMS put a little bit of a groove-centric spin on the track (which actually got debuted at their record release show last year) and went about putting it to tape this year. Ace. Not everyone is always in the mood for a ballad but everyone and I do mean everyone is in the mood for a jam and the Bump in the Night version of "Summer Skills" is a jam if there ever was one. Taking its place among other Summer Skills ragers proudly.
The Tallest Man on Earth, "To Just Grow Away", There's No Leaving Now
With a large part of The Tallest Man on Earth's draw (and subsequent criticism) being that each album adds a number of songs to a steadily growing songbook, every once in awhile you have a song that really stands out among the crowd. Impressive considering Matsson balances his songwriting talent pretty evenly among his albums tracklists. The Wild Hunt's was "The Drying of the Lawns" (with "King of Spain" a very close second), Sometimes The Blues Is Just A Passing Bird's was "Thrown Right At Me", and There's No Leaving Now seems to "To Just Grow Away" despite valiant efforts made by "1904" and "Revelation Blues". It's the beginning track and sets the stage wonderfully for the album's rather different take on Matsson's rambling folk reveries.
Tallest Man on Earth - To Just Grow Away by maggiemreid
AU, "Solid Gold", Both Lights
There are tons of bands that claim to be or are lauded as being energetic and then a band like AU comes around to prove what being energetic really means. "Solid Gold" with its wild, breakneck mbira is and unfettered masterpiece of unrivaled, untameable energy. Sure, there's the occasional slow down when Holland Andrews enters lovingly caressing each note but ultimately the track moves at a speed that'd be nerve-wracking if it weren't so perfectly executed. At any moment the track seems like it could burst into flames ruined by it's own hubris of flying too close to the sun but it never does. It's a musical thrill-ride, nusic as a spectacle in the best way. "Solid Gold" is catchy as hell to rival AU's artistic ambition. The track bustling and frantic but confident in its abilities. It pays off because the risk seems monumental.
Prussia - "Annie", Girl Cops single
While Prussia may (or may not) be a thing of the past, they made sure to leave us with one more nugget of sweet, quirky songwriting with the Girl Cops single. And while the single is no doubt excellent, I fell hard for the b side "Annie". Featuring Prussia cinematic scope and innovative storytelling "Annie" is one of the reasons I'm going to miss Prussia. Ryan Spencer's lyrics have a tendency to explain just the right amount to give the narrative life while making you fill in the blanks yourself and also giving more questions than answers. It's never quite clear who Annie is exactly as major of an influence as she is on the song's course - instead minor details about her shift slightly more into focus as her character hangs back in the periphery. This combined with the sort of glammy 80s synth-pop vibe that manages to stay aligned with Prussia's intimate chamber pop stylings, it's not hard for the track to win you over. Vivacious, intelligent, and weird "Annie" could very well be inspired by the messed up realm of Poor English without fitting tidily into that box.
Lucius, "Genevieve", Lucius EP
There are few bands around as good as Lucius. While band after band can and will continue to use 60s girl pop as their muse, few will do so as effectively as the Brooklyn quintet. In fact, my first brush with them turned me into a puddle of exclamation. My brain couldn't process the level of talent being dished out and that wasn't some fluke - each member of Lucius is an integral part of that effect not just Jess Wolfe and Holly Laessig's tight-knit harmonies and jaw-dropping vocal chops (though they certainly do help). While the full effect of Lucius isn't attained outside of their live set, "Genevieve" is most closely captures the vivacious brassy attitudes, the sauntering melodies, the dynamic musicianship. It's short but sweet, simple but all-consuming, "Genevieve" hints at the playfulness and the rising levels of mind-shattering interplay of the band while being restrained enough that you don't utterly lose it when the track plays. Win win.
Parlovr, "Holding On To Something", Kook Soul
It was an album I was rooting for since catching the Montreal pop trio at CMJ back in 2011, the concept seemed quirky enough to work. Three Canadians find influence and inspiration in soul music - a decidedly American idiom and effective pair it with their own brand of wild, high intensity power pop. It was an idea that turned out to be far more ingenious in theory than practice. Though Kook Soul certainly was not without it's triumphs - "Holding On To Something" no doubt being the absolute best of them. It's a track much like "Lightshow" that hinted at an potential not quite reached within the confines of the album but which shines brightly on it's own. The energy "Holding On To Something" is infectious, the fellas talents for cobbling together sloshing but pristinely memorable melodies with an interesting even dance-y feel. Though the rest of Kook Soul failed to live up to the sinful pop promises of "Holding On To Something". it certain was worth the effort if only for the track's creation.
Lemolo - "Open Air", The KaleidoscopeIt was an album I was rooting for since catching the Montreal pop trio at CMJ back in 2011, the concept seemed quirky enough to work. Three Canadians find influence and inspiration in soul music - a decidedly American idiom and effective pair it with their own brand of wild, high intensity power pop. It was an idea that turned out to be far more ingenious in theory than practice. Though Kook Soul certainly was not without it's triumphs - "Holding On To Something" no doubt being the absolute best of them. It's a track much like "Lightshow" that hinted at an potential not quite reached within the confines of the album but which shines brightly on it's own. The energy "Holding On To Something" is infectious, the fellas talents for cobbling together sloshing but pristinely memorable melodies with an interesting even dance-y feel. Though the rest of Kook Soul failed to live up to the sinful pop promises of "Holding On To Something". it certain was worth the effort if only for the track's creation.
Perhaps it's because it's the single upbeat track in a series of brooding ones, maybe it's that it functions as the perfect showcase for Meagan Grandall and Kendra Cox's vocals accompanied purely by a piano, beat-keeping drum and a limitless sense of freedom but "Open Air" was the track I found myself returning to over and over again on Lemolo's stunning debut The Kaleidoscope. Simple lyrically as well as compositionally, it manages to grip you by putting the two ladies' harmonies fully on display unencumbered.
Illuminator - "Tangled With Bear", Soul Sister (forthcoming)
What can I say I have a real fondness for concept albums. The higher the stakes for it to be completely missed or fail completely, the more I'm interested in it. Sure, sometimes releases get bogged down with all the minute details that came from crafting a record as much more than just a musical narrative but when they really get it, it's excellent. Enter Illuminator: On paper Soul Sister (or what we've heard from it thus far rather) seems weird. Like REALLY weird. In execution though it works, surprisingly. "Tangled With Bear" kind of drops you into the middle of the action: a battle between the album's protagonist and a violent soul he's confronted through multiple lifetimes. Without the concept, "Tangled With Bear" is a rollicking blues rock jam which alternates between moments of delicate pulsating narrative-driven plotting and glorious bursting emotive climaxes. In concept, it's more than just an addictive piece of southern-inspired rock, it's cathartic and interesting to have an internal and external battle taking place with the music functioning as both weapon and battlefield. Weird, yes, but good. Normal's overrated anyway.
Town Hall - "Mary A. Longden", Roots & Bells
If you're going to go the tall tell narrative route of folk pop, you've got to be damn good. Not just in lyrical content but in overall presentation. The tales, the arrangements, you name it they all better be pretty damn interesting otherwise you end up with a sort of "Why am I listening to this?!" sort of reaction. Because your narrative aren't grounded enough in reality to be considerably relatable. Fortunately that's not really a problem for Town Hall who released a whole album of narrative-driven songs of their own creation in Roots & Bells. One of the absolute gems being "Mary A. Longden" so good they released it twice. First on their Sticky Notes & Paper Scraps EP and then premier full length debut. They may not be doing anything genre-defying in terms of instrumentation or overall but where they do deserve some credit lies in their absolute creativity and ability to make a series of character studies into something worthwhile and accessible. Their vocals also happen to be downright crackerjack.
Earlier this year, British folk singer Johnny Flynn surprised everyone with a two day jaunt across the US (one day in NY, one in LA) before retreating back to the Britain. The reason why seemed unclear. Did Flynn just miss touring after a year of theatre engagements? Yes. Was there new Johnny Flynn material on the horizon? Not quite but sure. While Flynn is still at work on his follow up to Been Listening, we did get new release from him in the form of a soundtrack he wrote for the indie dramedy A Bag of Hammers. The first track from the soundtrack out well over half a year before the soundtrack streeted, it's Johnny Flynn at his best: An updated but inspired take on actual folk music. The track sounds very much like the music used in the Shakespeare plays he's been featuring in and perhaps that's the intent. But also: The track is just plain good.
Gracie - "Creature Pleaser", Bleeder (forthcoming)
What isn't there to like about "Creature Pleaser"? The first taste from Gracie's forthcoming full length, the track is an absolutely infectious and entirely all-consuming dance jam. If any of Bleeder's tracks come anywhere close to this one in terms of just insane catchiness, we're going to all be in real trouble. Because from the moment you press play on "Creature Pleaser", listening to anything else seems like an absolute chore. Instead you're compelled to just replay it and marvel at it's toe-tapping, body-moving splendor. Fairly certain the song is laced with some sort of high grade aural crack because one you start you're hooked and it isn't until someone intervenes. But damn if it isn't the best 4 minute potentially life-ruining decision you've made.
Grizzly Bear - "Half Gate", Shields
Sure it's an album where each song leans slightly upon the other to support the colossal weight of the whole but for some reason "Half Gate" with wind-whipped plotting and gently unfolding piano pop stuck with it the most. More than that. It's the moment that Shields won me over completely. Before Shields, I wouldn't consider myself as a Grizzly Bear fan by any means but Shields with it's epic grandeur, it's clean immaculate twist on orchestral pop sans orchestra, has made a convert out of me. It seemed tighter and more accessible than records past while not trading in any of Grizzly Bear's notorious layered complexity. Shields seemed to me the first truly collaborative effort of the group of four musicians and "Half Gate" the best display: Placing Ed Droste's vocals with Daniel Rossen's and letting them highlight each other's strengths and fill in what the other's couldn't. Instead of just functioning as harmonic filler like times past, "Half Gate" sees the band's two main vocalists actually working together in the full context of a song. Their voices may alternate but it's the first time I felt both's vocal prowess was acknowledged and not only that - deployed together for an excellent heart-fluttering effect.
Cheyenne Marie Mize - "Keep It", We Don't Need EP
As Cheyenne Marie Mize reaches a rather eclectic happy medium on her We Don't Need EP, the straight up feisty girl rock track "Keep It" was really what conquered me. The whole EP a charming display of personality, "Keep It" with it's rather eloquent rejection gives Sharon Van Etten's "Serpents" a run for its money with its level of casual, fiery badassery. It's as easy as that. There's no posturing, no elaborate metaphor; "Keep It" is a scorching dismissal pairing with all the rock trimmings needed to drive Mize's point home.
Lands & Peoples, "I Tried", Pop Guilt
If an album is featured on one of my favorites list I try not to feature it on the other (try being the operative word because last year didn't work that way) but sometimes you just gotta do what you gotta do. To not feature "I've Tried" would not only be the biggest slap in the face to the uber talented Baltimore lads but also to the idea of a favorites list. "I've Tried" has gotten a hell of a lot of play from me. Maybe more so than any other song on this list? Why? Well it takes Lands & Peoples "there's actually a buttload of complex things happening here but listen to how fluid it all sounds" method of song construction that I had become enamored with and put it in a decidedly more poppy context than I was used to from the band. It's also one of the few songs on their record that really shine a spotlight on the vocals. Sure there's singing all over the album but really "Ukulele", "Ghosts", and "I Tried" show Lands & Peoples at their best vocally. While "Ukulele" and "Ghosts" are more emotional fare, "I Tried" is more guilt-free pop (if you can really even call anything Lands & Peoples that), which manages both a showcase for Lands & Peoples creative accompaniment (there's a part from Terminator thrown in there!) as well as Caleb Moore's vocals. There's even a bit of that trademark L&P harmony. Just a small taste but it's a nice touch.
Secret Mountains - "Golden Blue", Winter Sessions/Rainer (forthcoming)
While Secret Mountains are certainly known for taking their time in all things, this year's tide over release Winter Sessions - a collection of 3 songs from their upcoming full length debut Rainer saw Secret Mountains turning over a more immediate leaf. Their songs are still pleasantly lengthy but there's less build up, less pacing, and more here's what we can do as a group of tight-knit and talented musicians after we introduce you to the main idea. It's like knowing the destination but electing a new way to get there. The scenic route if you will. On "Golden Blue" Secret Mountains sure give you a lot to see too; offering winding, curling passages of subdued, tasteful pyrotechnics while deploying Kelly Laughlin's dynamite vocals, their biggest explosive of all.
While Secret Mountains are certainly known for taking their time in all things, this year's tide over release Winter Sessions - a collection of 3 songs from their upcoming full length debut Rainer saw Secret Mountains turning over a more immediate leaf. Their songs are still pleasantly lengthy but there's less build up, less pacing, and more here's what we can do as a group of tight-knit and talented musicians after we introduce you to the main idea. It's like knowing the destination but electing a new way to get there. The scenic route if you will. On "Golden Blue" Secret Mountains sure give you a lot to see too; offering winding, curling passages of subdued, tasteful pyrotechnics while deploying Kelly Laughlin's dynamite vocals, their biggest explosive of all.
Sea of Bees - "Broke", Orangefarben
You'd be hard pressed to find a more earnest artist than Sea of Bees and her latest album Orangefarben certainly doesn't disappoint on that front especially in lead singler/album opener "Broke" as Sea of Bees lets her hearfelt feelings bubble out of her fitting considering the song's about attempting to keep your feelings bottled up. Her vocals are sincere, her feelings a very special type of raw; not quite heart-breaking but moving, gripping, and intense. I suppose that's always been Julie Bee's ace in the hole. Girl's got a hell of a lot of heart and she's not afraid to bare it. Despite what the actual lyrics of "Broke" might want you to believe.
Sharon Van Etten - "Leonard", Tramp
It's not my most shining moment but for some reason I had never really gotten around to giving Sharon Van Etten a proper listen until I heard the fiery vitriol of "Serpents". It seemed like such a different take on the heartbroken lover shtick your most basic singer/songwriter resorts to and I was intrigued as hell. But there's a reason "Leonard" is here over "Serpents" though each song would be more than welcome on this list. My preference for "Leonard" started superficially at first a "listen to those harmonies!" moment as I watched the acoustic version featuring Sharon Van Etten and Heather Woods Broderick for i-D. But as I watched the video more and more and Tramp eventually made its way into my hands, more of it appealed to me. Sharon Van Etten's always been a profoundly honest songwriter but "Leonard" to me seemed to marry the idea of the spurned lover while also acknowledging her own faults in the mess while featuring Van Etten's uncanny knack for downplayed moments of lyrical brilliance.
Fiona Apple - "Hot Knife", The Idler Wheel...
Perhaps it's place after a set of high intensity, emotional, catharsis-seeking moments on The Idler Wheel... but by the time Fiona Apple reaches the album's terrific conclusion with sultry pop "Hot Knife" is shined my absolute gold. Only the kicker was that it held up pretty incredibly on its own. That discredits that theory. But for all her trouble singer/songwriter-y ways, Apple is a gifted popsmith rewarding those that listened to her air of her life's various grievances, moments of pain, heartache, and ugliness with a simmering ode to sexual need. While that might sound like something you'd expect to hear on Top 40 radio and just grimace at until it was over or change the station over, lest we not forget Apple's gifts. Primitive drums beat out underneath a fugal masterpiece of layered vocals and damn if it isn't the catchiest little thing. For all her songwriting-as-therapy methods, Apple really shines when she takes on a simple truth and runs with it in a rather significantly fun way.
Monday, December 17, 2012
Pitstop: SoftSpot
A few months ago there was a week where Caleb from Lands & Peoples more or less had full control over what I posted on the blog. It wasn't a blog takeover or anything like that he just kept suggesting bands to me that he thought I'd be really into and he happened to be right. Brooklyn psych-rock trio SoftSpot was actually one of the first bands Caleb suggested to me. Earlier during the year Lands & Peoples played a house show with SoftSpot and when I saw Caleb the next day he had nothing but good things to say about them.
When I finally pounced upon the recommendation and listened to the Nous EP I couldn't help but notice a definite similarity between SoftSpot and Secret Mountains. Laid back, slow burning jams wrapped up in psychedelic fuzz? The bands seemed almost too similar for me to compare. How could I describe a band as being almost exactly like another band while urging you to listen to both bands? The answer: Don't. I'm glad SoftSpot's debut full length Enso was exfm's album of the week last week as it allowed me to see the band in a whole new light. While Soft Spot shares Secret Mountains patient gently unfolding delivery, there's far more to them than that. Sarah Kinlaw's vocals are much more in line with BRAIDS' Raphaelle's Standell-Preston and her quiet coquette-ish coo than Kelly Laughlin's mighty roar.
But SoftSpot are a band of their own design not just a composite of other arty bands you know and love. Their songs are insistent and ear-catching even despite their occasionally labyrinthine construction. In fact, a lot of their songs, especially on Enso, function as extensions of each other sliding effortlessly into the other. SoftSpot's songs feature reoccurring sonic themes and structures that fall anywhere from a repeated inflection to a continuous winding guitar riff. Ultimately Enso as well as all of SoftSpot's releases are intensely interesting listening experiences where the longer tracks capture and maintain your attention and the shorter ones make you crave for more. They're a balance of dark, mysterious brooding jams with a rather underplayed pop sensibility deployed stealthily to keep the track aloft and coasting on its occasionally meandering path.
Listen to SoftSpot's excellent debut record Enso now.
Thursday, October 11, 2012
Pitstop: Dull Edges
Despite the veritable onslaught of artful arrangement-heavy music with its nice clean melodies, pristine harmonies, and all around evocative qualities, I'm also a fan of rock grit. It's what draws me to the live shows of ARMS, Conveyor, and Sondre Lerche or why I was so head over heels for Writer when I first saw them. Because despite how clean-cut they might sound on their studio recordings, their live sets are filled with wild, free-flying guitar pyrotechnics and raw, uncontrived roars. That appreciation of the noisy, the imperfect, is exactly what drew me to Brooklyn garage rock trio Dull Edges.
Starting last year as a two piece with guitarist/vocalist Patrick Lane and bassist R Smith before drafting Ben Kaplan on drums, the rather newly minted trio already has a strong release under its belt in Half Shattered. The 5 song EP is a set of purring rip-roaring guitar rock at its finest. While tracks like "Washed Out" and "Screens" are cacophonous, while "Big T", "Space Jam", "Holed" are righteously slow-burning psychedelic jams in the vein of Secret Mountains sans powerhouse vocals or Youth without the sunny beach vibes.
Half Shattered, in all of its tragic shortness, reveals a rather versatile band well-versed in its influences and strong in its delivery. There's no hiccups as the EP transitions from its rocky clatter to its more down tempo airy plod, rather it's smooth and still manages to maintain the forward momentum of the more fast-paced predecessors. Dull Edges can be noisy when they want to be and when they are it's deliberate, not the fault of a band that's terribly out of leagues or remarkably out of practice. But the Brooklyn rockers also clean up quite nicely as evidenced in the second more drone-inspired half of Half Shattered.
Dull Edges is releasing "Screens" and "Big T" on a 7" next month so stay tuned for that. Until then, you can listen to Half Shattered on Bandcamp:
Wednesday, September 19, 2012
Listen: Secret Mountains - "High Horse"
Thanks to the generous support of fans far and wide through Kickstarter, Baltimore psychedelic rock sextet Secret Mountains will be putting out their debut full length album Rainer this year. And while that's of course cause for celebrate it seems we've got a whole other reason to celebrate. Today the band's Shaking Through session came out and it features a brand new track that you'll only have heard if you were lucky enough catch a live show of there's recently.
The new track "High Horse" is definitely the least upbeat tempo as the band that's most known to me and countless others for their propensity for tight-knit, intricate jams more or less takes a break from that to get a bit of emotional catharsis. The result is a beautiful and touching tribute to a lost loved one that sees the band turning enough of a new leaf to keep things interesting without flipping the script entirely. It's the kind of change that'll no doubt help Rainer to really feel like a full, mature work.
Hear Secret Mountains' "High Horse":
For their session the band had a bunch of really nifty things to say about their recording and even songwriting process which you can watch in this video which is part recording documentary, music video, and interview here:
The new track "High Horse" is definitely the least upbeat tempo as the band that's most known to me and countless others for their propensity for tight-knit, intricate jams more or less takes a break from that to get a bit of emotional catharsis. The result is a beautiful and touching tribute to a lost loved one that sees the band turning enough of a new leaf to keep things interesting without flipping the script entirely. It's the kind of change that'll no doubt help Rainer to really feel like a full, mature work.
Hear Secret Mountains' "High Horse":
For their session the band had a bunch of really nifty things to say about their recording and even songwriting process which you can watch in this video which is part recording documentary, music video, and interview here:
Tuesday, July 31, 2012
Secret Mountains Are Recording Their Debut Album
In what has seemed like ages but really has only been little shy of a year, Baltimore psych-rock sextet Secret Mountains have been recording their debut full length album. Anyone lucky enough to see them live has found themselves either willingly or unwilling (as was the case when I stumbled upon them at last year's CMJ) hearing tunes from the upcoming album.
While there's no exact release date yet - there's news. Secret Mountains have just launched a Kickstarter campaign to help raise funds for the album. If successful, the campaign will help toward making the release of the full length entitled Rainer this year an absolutely certainty. I don't know about you but since my inaugural listen to Secret Mountains via their Spike Hill CMJ showcase slot, I've wanted nothing more. I may or may not have worn out my copy of their Rejoice EP. I may or may not be responsible for a bulk of the listens of the digital version of their Winter Sessions cassette on Bandcamp.
Basically what I'm saying is that Secret Mountains are incredible and their full length album is sure to be as well. It just needs to see the light of day. Sooner rather than later. So if you can throw a couple bones to them on Kickstarter. It can be anything from $1 to $400 (which congruently gets you the band playing a show for you) or more if you have it. Any little bit is sure to help. Donate and spread the word. Make sure 2012 has more good music released during it.
Need convincing? Here's some tunes to wet your appetite.
Like what you hear, show some love to Secret Mountains' Kickstarter.
Saturday, April 28, 2012
Daughn Gibson - All Hell (2012)
Daughn Gibson is from Carlisle, Pennsylvania and very well may still reside there. I honestly have no clue. There's not too much I can tell you about Gibson and maybe that's for the best. What I can tell you is that his debut record All Hell is unlike anything I've heard before. You may hear that time and time again when someone's trying to sell you new release after new release of virtual unknowns but believe me when I tell you this: All Hell is new. All Hell is distinct, creative, and original. Beginning with "Bad Guys", it's not hard to see why Gibson has adopted country as his genre labeling of choice, simple bent note guitar riffs and a languorous drawl. The most unexpected thing about Gibson is deepness of his voice which becomes less of shock as you listen on. With "In the Beginning" you start to really get a taste at the turn the record will soon take - it's a lot poppier than the lead track, building on simplistic hymn-friendly piano chords before the entrance of funky beat makes it clear it's not going in that direction.
Daughn Gibson has the sort of genre-blurring interplay that bands like Megafaun have more or less made a career of. There's a single genre label for the sake of ease but Gibson tests the very limits of it as mean of categorization. All Hell becomes bigger than genre. It's a series of songs with twists and turns you don't see coming even as you become more comfortable with the album. On All Hell, Gibson proves himself not only a skilled multi-instrumentalist (trading off on guitar and piano whenever he sees fit) but as a skilled manipulator - bending boundaries, foundations, and arranging samples in just the right way to keep you on your toes. And regardless of the textural soundscapes, Gibson's voice is clear as a bell, deep and reverberating and ultimately grounding. Even with the multitude of things going on around it, it is always the focus, the one point your ears have no trouble finding. All Hell is astoundingly different, the result of a clearly talented man with a host of ideas with enough sense to know how to properly use them. Gibson never overwhelms, instead allowing you to appreciate each moment as much as you like as his croons draw you toward where you need you to go.
Get a taste of Daughn Gibson's rather eclectic style with some tracks from the album:
Daughn Gibson's All Hell is out now on White Denim with a limited edition run of vinyl which you can order here. You can stream the album on Spotify.
Wednesday, March 7, 2012
Secret Mountains - Winter Sessions (2012)
Earlier this year, Baltimore psych-rock sextet Secret Mountains had the distinguished honor of being invited to spend a weekend in Converse's Rubber Tracks studio in Brooklyn. Which is great news for any Secret Mountains fan as we now get to hear the results. They have their debut full length coming out sometime this year but these masterful live session tracks will certainly do for now.
"Weepy Little Fingers" was released as a single last year, but new tracks "Make Love Stay" and "Golden Blue" are also bundled in and they're fantastic. Featuring the subtle build into brilliant controlled shoegaze-y chaos and gigantic rock moments that Secret Mountains seem to own so effortless. Also, Kelly Laughlin remains a total dynamo, helming the storming sounds with her own bold, brassy vocals that are simply intoxicating.
The three song Winter Sessions will be available tomorrow via Friends Records as well as in person on they're upcoming tour to SXSW and beyond.
Saturday, January 14, 2012
All Around Sound's Most Anticipated of 2012 Playlist (So Far)
2012 began with a number of bands having already promised this would be the year they release follow ups or even debut full lengths in some cases. Since it's only the first month of 2012, a lot of things have yet to be announced but from what has been, it's shaping to be a pretty great year (I mean new Bowerbirds!) for music. Here's a playlist of some of the releases I'm most excited for in order of release date (where possible).
10) Lost in the Trees - "Red"
This year will see the release of North Carolina folk pop orchestra Lost in the Trees' latest album. A tribute to Ari Picker's deceased mother, the group don't appear to be taking any steps back away from their emotionally complex brand of sentimentality infused compositions. Instead the group have spent the year trying their best to capture the memory of Picker's mother filtered through a catchy pop sensibility and an orchestral grandeur. The result is sure to be an affecting work of beauty. Lost in the Trees' third album A Church That Fits Our Needs is out on March 20th on ANTI-.
Lost In The Trees - Red by antirecords
1) First Aid Kit - "The Lion's Roar"
It's hard to imagine that the Swedish sisters released their debut album almost two years ago but this month they're releasing a follow up that's looking like it might just blow their debut out of the water. The sisters are older and wiser and seem to just be growing in talent. First Aid Kit's sophomore album The Lion's Roar is due out January 24th.
2) Hospitality - "Friends of Friends"
This year sees the release of Hospitality's self-titled debut album, their first for new label Merge Records, the follow up to a low-fi folk poppy EP released in 2008 and it's about time. While I've grown to love the tunes of the EP, Hospitality's new sound is a step in the right direction. I've only heard several of the new songs live so I can only imagine how much better they'll be recorded with all the tools they had at their disposal. Hospitality is actually one of my most anticipated album's off the year, if only for the bewilderingly catchy "All Day Today". Hospitality is out January 31st on Merge. Get it, seriously.
3) Sharon Van Etten - "Serpents"
I may have only heard Sharon Van Etten's lead single "Serpents" a couple days ago but that was enough to make me thoroughly intrigued by Sharon Van Etten's new album. Her first on Jagjaguwar, she's in good company alongside the increasingly popular Bon Iver. Hearing new track "Leonard" today also made it practically impossible for Tramp not to be on this list. Sharon Van Etten's Tramp is out February 7th.
4) Fanfarlo - "Deconstruction"
When Fanfarlo first released new track/video "Replicate" back in September, I just about wet myself. The release was completely unheralded following a year-long radio silence which the band spent reacquainting themselves with real life after a year of straight touring and also writing and recording the new tunes. The year long self-imposed exile has certainly done some good. "Deconstruction" is the perfect blending of old and new and the bands claims of a more pop-oriented sound are not unfounded. And while the band could get together and release an album of nursery rhymes and I would still buy it, it helps that the new music is so downright good. Fanfarlo's sophomore album Room Filled With Lights is due out February 28th.
5) Plants & Animals - "Lightshow"
I've only heard this single track from Plants & Animals upcoming album and yet that was enough. It burrowed into my brain and stayed there for days exacerbated by my constant repeating of the track. I've lost count with how many times I've played it but it still hasn't lost any of it's edge. And so based off this track alone and a good deal of good faith, I'm much looking forward to Plants & Animals new album. Whether that'll change when they release the next track remains to be seen but I doubt it. I mean if you can write a song as good as "Lightshow", they should all be similarly awesome, right? Right. The End of All That is due out February 28th.
6) Dry the River - "No Rest"
If there is one thing the Brits seem to know how to do and do well, it's folk. Britain's Dry the River are one of the multitude of bands that are cranking out sincere, well-written, and masterfully performed. I mean the only kicker is that their releases are region so those unfortunate enough to not be natives have to wait a bit before we're allowed to get our hands on their stuff. Like their Weights & Measures EP which they released mid-year in Britain and is only now available in the states. But it's music that well worth the wait. In more way than one. 2012 will see the release of Dry the River's debut album, an album that's bound to be epically enjoyable. Dry the River's Shallow Bed is slated for a March 5th release in the UK but there's no word yet on when the rest of the world will be able to enjoy.
7) Andrew Bird - "Nyatiti"
You know, when Andrew Bird did his massive auditorium/concert hall tour last year I should've known to expect an album and yet the news of his upcoming surprised and delighted me. Not too much has been revealed about it besides the name, release date, album art and a tracklist but if anything can be gleaned from the 30 second album trailer, the new album might be heavily acoustic. Or as acoustic as you can be when you rely on a loop pedal. Since there's no single released yet, I thought I'd include one of my favorite tracks off of 2010's Useless Creatures. Break It Yourself will be released March 6th.
8) Bowerbirds - "Tuck the Darkness In"
If nothing else was released this year but the new Bowerbirds album, I would still be a happy man. Especially considering their last release was way back when in 2009. And while that's not a necessarily long time in music, it is when you see them live and they promise to return again soon with a brand new album and preview two new amazing songs. I fully intend to ravenously consume Bowerbirds third album like a starving wolf. And if our first peek at the new album is any indicator, the pastoral folk the band do so well is back after some much missed time away. Bowerbirds third full length album The Clearing is due out on March 6th.
9) Yellow Ostrich - "WHALE"
Considering last year's The Mistress was a re-release, the shock that Yellow Ostrich is so quickly coming out with another album should subside a bit. This year, Yellow Ostrich release their true Barsuk Records debut with Strange Land which also marks the band's first album together. Instead of bandleader Alex Schaaf's solo looping project, the band flush out their sound based off of Schaaf's demos. Sounds good. And while no one's really heard anything from the album yet, I'm assuming that the band's sophomore record is going to be enjoyable because of how insanely catchy their debut is. That's not something you forget how to do. Since there's no previews available yet, enjoy "WHALE" off The Mistress. Strange Land is due out March 6th on Barsuk Records.
10) Lost in the Trees - "Red"
This year will see the release of North Carolina folk pop orchestra Lost in the Trees' latest album. A tribute to Ari Picker's deceased mother, the group don't appear to be taking any steps back away from their emotionally complex brand of sentimentality infused compositions. Instead the group have spent the year trying their best to capture the memory of Picker's mother filtered through a catchy pop sensibility and an orchestral grandeur. The result is sure to be an affecting work of beauty. Lost in the Trees' third album A Church That Fits Our Needs is out on March 20th on ANTI-.
Lost In The Trees - Red by antirecords
11) Little Tybee - "Boxcar Fair"
Georgia folk pop outfit Little Tybee might very well have the quickest turnaround of all time. Their upcoming release For Distant Viewing is practically right on the heels of sophomore record Humorous to Bees which came out last April all the while the group put together and soundtracked a puppet show by the name of Boxcar Fair. While such a quick release schedule might worry people, new track "Boxcar Fair" should allay all fear. There's still the conscientious equality of each member in it's arrangements, not to mention the song just being all around good. Little Tybee's For Distant Viewing's release date isn't exact yet but it can be expected sometime in March.
12) Kishi Bashi - "Manchester"
While Andrew Bird's album is definitely cause for excitement, up and coming violinist/loop pedal enthusiast/multi-instrumentalist Kishi Bashi's upcoming debut is definitely something to be excited about if not worthy of occupying the majority of your interest. Since his debut opening for Sondre Lerche last year, Kishi Bashi's been hard at work prepping the follow up to his Room For Dream EP. The results are astounding. Funded about 120% via Kickstarter, Kishi Bashi's debut is on the right track. Those who helped fund the project got a sneak peek of "I Am the Antichrist to You" in addition to the previews featured in his welcome video and the song was absolutely astounding. But until he releases an album track as a single or otherwise, you can still enjoy "Manchester" from his EP. Kishi Bashi's debut has a loose release date set for somewhere in the spring with a definite date coming soon so stay tuned.
13) Conveyor - "Mukraker"
Brooklyn band Conveyor have a lot to look forward to in 2012. Or rather fans do. Earlier this month, the released the digital single "Mukraker" which is part of their split 7" with other noteworthy Brooklyn band Illuminator. Also pretty sure they're working on a full length. No idea when that is but Conveyor's curious blend of slowly unfurling minimalism with explosive flourishes guarantees that I will be all over it when that day comes. In addition to everything else they release and do. Hopefully that'll be soon but you can't rush progress.
14) Secret Mountains - "Weepy Little Fingers"
Baltimore psychedelic rockers Secret Mountains can utterly swallow you with a single song and news is that they're planning on releasing a full length this year. That's as exciting as it is scary. The follow up to 2010's Rejoice EP, the band have been hard at work recording new tunes. And they just won a trip to record with Converse and record a live session so that's more new tunes and more recordings. Secret Mountains is going to have an intensely busy year and their debut full length might just be the cherry on top. No word yet on when their record is going to drop but news of which can't be that far away. Enjoy "Weepy Little Fingers" which the band released as a single last year.
15) Of Monster and Men - "Little Talks"
Despite releasing their debut album in their home of Iceland last September, Icelandic folkies Of Monsters and Men are gearing up for a major North American explosion. After tours and the release of their Into the Woods EP, the band are prepping for the stateside release of their debut My Head is An Animal which will feature a different tracklist than the Iceland release. And considering all their updates are coming from the studio, it's only a matter of time before we learn of the upcoming album's release date. One thing is certain though, even if the album's tracklist is 100% different than the Iceland release and the Into the Woods EP, "Little Talks" is bound to be on it. It's the band's greatest songwriting achievement that deserves to be displayed whenever and wherever it can be.
16) Teletextile - "What If I"
Considering the band had their debut release over in Europe last year, expecting an release this year might be a bit of wishful thinking on my part but the band has stated an interest in doing some recording and releasing something this year so I'm going off of that. Besides who knows maybe the band's debut album Glass will get a stateside release sometime this year? I mean, there's 11 months for that to happen. Despite a 2012 release being mostly speculation on my part, the band's becoming pretty active over here so maybe just maybe we'll see something. If not, 2012 should be the year where everyone at least starts paying attention to Teletextile.
Considering how early in the year it is, more and more album release news should come spilling out. I'm looking forward to being able to expound upon this list and getting to update several of those unconfirmed dates. Until then, I hope you enjoy.
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