I've mentioned Bowerbirds songs being sparse before but never have I meant it more than in "October". The new track toes the line of Phil Moore's synthy explorations and the folk-leaning art-rock of Bowerbirds' latest endeavors without committing to one or the other. It isn't until the song is about 2/3rd complete until we get an actual beat cushioning the track from it's lyrically focused freefall. For the majority of "October" it's just Moore and a fleeting organ while a soulful guitar riff happens in the periphery. It's trademark Bowerbirds beauty achieved in an arresting new way of stripping absolutely everything away until there's nothing to focus but Moore's vocal prowess. Moore's vocals have always shone through and made themselves known in every Bowerbirds song but here, with little else to grasp on to beside them, it's a rare chance to appreciate solely them.
Listen to the 9th track in Bowerbirds year-long composition project: